I could not imagine this film working on the level it does if it was not for the inclusion of the two actors in these critical parts. Combining elements of an evil Orson Welles and a celebrated philosopher, Vukmir eats up every scene with elegant finesse. Equally as powerful is the sensational Trifunovic as Vukmir. In one of the most clever and innocent conversations you will EVER hear between a father and son about masturbation (I know that sounds creepy, but it works well in the film), Milos exudes a tenderness that is attempted to be squelched by Vukmir. This sympathy stems from the love we see for his wife and kid. Milos quickly (in a matter of just a few scenes) becomes a character that we the audience sympathizes with. The crux of the film is in having the viewer travel along with Milos as he discovers what is really going on with Vukmir’s film. Srdan Todorovic, who plays the compassionate Milos, and Sergej Trifunovic, who plays the megalomaniac Vukmir, both give performances that are two of the most memorable of the year. The director is fully aware of this fact and has counterbalanced the images with a pair of actors who can support the weight of the film. The reason for this is that the imagery is just as important as the actors and plot. Given the amount of horrific imagery that is present in this film, I still can’t imagine what the film would be like if it was edited down. The hypnotic mix of composer Sky Wikluh’s droning techno music set against the gritty and dirty images in this film is hard to shake after watching. There is a reason for why the film has received backlash from film festival attendees as well as censorship in many countries. I will say this, this film is one of the most horrific and grueling experiences you will have all year. Since this is mainly a horror website, clearly there is a reason why this film is being written about. After an undisclosed amount of money is offered to the actor, Vukmir soon has the star of his mysterious art project.Īfter reading that very brief summary, I know that it is hard to imagine where this film will go. What is it about? “ You are a porn actor, why do you care what it is about?” replies the convincing Vukmir. When Milos is approached by a former child psychologist who now has an interest in making an art film, Milos is initially hesitant. Now, he is someone that longs for the days of the past while trying to keep up with his beautiful wife and young boy. Once, Milos was the Serbian king of their porn industry. I promise this review will not disclose more than it should.Ī Serbian Film opens with a retired porn actor named Milos. I will say this, for those unfamiliar with it but are interested in seeing one of the best horror films of the year, I encourage you to remain in the dark about the film. Though there have been many words written by critics to describe the visuals that you see in A Serbian Film, I am not going to start this review bombarding the film with these words. The same can be said for a new film that has received a lot of attention this past year. Does it make you question certain ideas and thoughts? I guess after we have seen the most gorgeous portrait painted in the world or the finest crafted chair constructed or the most perfect photograph ever taken, artists have to resort to new ways to invoke the interest in viewers. Visually pleasing art has been replaced with that which is thought-provoking and button-pushing. Long past are the days where you saw beautifully painted landscapes in famous museums. Now that should prepare you for what’s in store.Art that is made in our contemporary society is not necessarily pretty to look at. In fact, the NC-17 version in the US had to cut out a record 19 minutes just to make NC-17. Srdjan Spasojevic fits in as much depravity as possible with no boundaries, going places many movie makers would not dare. Its shock cinema at its best, or worst, whichever way you look at it. If you haven’t seen A Serbian Film and you have the stomach to watch something sickening, do it. My psyche doesn’t regret watching it for one second, I’ve even watched it a few times. The effects are unbelievably real and the acting is solid to the end.Ī Serbian Film is definitely one of the most disturbing films I’ve seen in terms of content. This film just dares you to recognize it, rather than brush it under the carpet. Every single unspeakable thing that happens in this movie has happened time and time again throughout human history. Without giving much away, the material is pretty extreme, but contrary to what I’ve heard I don’t feel it’s exploitative. The film takes it’s time showcasing some of the characters within it, but in time you realize everyone has their own agenda.
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